Race
is not significant in Kazuo Ishiguro’s Never
Let Me Go. We don’t know the races
of the main characters and side characters alike, with the only clue we can go
on would be the cover of the book, which I assume is Kathy. Instead, the only perceivable difference between
people in the dystopian society of Never
Let Me Go is that of clone and human.
So what are the differences between clones and humans? They have emotions, desires, and
relationships just like humans do. Biologically,
their organs are similar enough to be used in transplants. They would even have the same lifespans (I
would assume from their similar rate of aging) if it wasn’t for organ
donations. The guardian, Miss Emily,
even affirms this saying that Hailsham “demonstrated to the world that if
students were reared in humane, cultivated environments, it was possible for
them to grow up as sensitive and intelligent as any ordinary human being”
(Ishiguro 261). The only differences
between clones and humans are those imposed by society or humans, much like
racism in the real world. In this post,
I wanted to highlight some analogies I found throughout the novel.
Firstly,
I wanted to discuss how even as children the clones are kept subordinate
through normalization of donations and segregation from society. One of the points we often discussed in class
is how clones completely accept their fate without question. This comes from a sort of brainwashing that takes
place throughout their “education”. Since
the clones are segregated from society as children, their idea of how the world
works is entirely molded by their masters, the guardians. Their reality and purpose as organ donors are
introduced to them gradually early in their lives as:
“the
guardians had, throughout all our years at Hailsham, timed very carefully and
deliberately everything they told us, so that we were too young to understand
properly the latest piece of information [. . .] but of course we'd take it in
at some level, so that before long all this stuff was there in our heads
without us ever having examined it properly” (82).
Clones accept
their purpose, and even take a disturbing amount of pride in their abilities
and skills as donors and carers such as Tommy saying "’I'm really fit, I
know how to look after myself. When it's time for donations, I'll be able to do
it really well’" (108) or Kathy bragging on the very first page of the
novel about how “[Her] donors have always tended to do much better than
expected” (3). The clones’ blindness
towards their own abuse is what allows the structural discrimination to proceed
without problems in Never Let Me Go.
The second analogy I’d like to
demonstrate would be the metaphor that the Cottages present. For students of Hailsham, the Cottages are
their first taste of some freedom and independence, which goes a long way to
prevent them from realizing their status of second-class citizens. The parallel being drawn here is to migrant
camps in Britain around the same time.
The conditions are similarly subpar, with Kathy remembering “a lot of
the time, outside of the summer months, being chilly. You went around with two, even three jumpers
on, and your jeans felt cold and stiff” (117).
They are cut off from the outside world with their only human contact
being Keffers, a “grumpy old guy” (116) who didn’t offer much at all. Though rarely mentioned, the “Culture
Briefing” classes reminded me of the citizenship tests required of new
immigrants to introduce them to the foreign culture.
I’m sure there are far more
analogies throughout the book that I didn’t mention, and I look forward to
hearing what everyone comes up with!
This is a fascinating take on the novel, one that had occurred to me before. I think there are many details that support this interpretation.
ReplyDeleteAlong with the analogies you mentioned above, I believe that the experiment that Hailsham was used for is a great addition. When Kathy and Tommy confront Madame and Miss Emily about the possibility of deferral, and Miss Emily explains the reasoning behind Hailsham, she also explains the reason they had the students there create artworks for the gallery, saying “We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.” (260). This piece of dialogue seen through the lens of racism calls back to times in history when people of color were considered to be genetically lower than white people, and it was necessary to prove that they were equal in the most basic of ways.
I also think Ruth’s explanation of possibles during the Norfolk trip also adds weight to this reading of the novel. Ruth explains that the people used to harvest DNA are “Trash. Junkies, prostitutes, winos, tramps. Convicts, maybe, just so long as they aren't psychos.” (160). Minorities are more likely to live in poverty and are incarcerated in both the UK and America, so this detail is very relevant to the theme of racism in the novel.
I agree, this is a significant piece of the overall commentary Ishiguro is putting upon modern society. I cannot recall a single time race, let alone skin color, is used as a descriptor by Ishiguro. However the second class status of the clones is painfully apparent even from the beginning of the novel; from little things like Kathy mentioning how she had to listen to her tape in a stereo because she would be able to find a Walkman in the Sales until later. The book i set in the late 90s and Walkmans came out in 1979. up to much bigger darker truths like when ms Lucy makes the comment about the fences at Hailsham saying “It‟s just as well the fences at Hailsham aren‟t electrified. You get terrible accidents sometimes.” (66) grimly acknowledging that there have been accidents with clones escaping, but this goes completely over the heads of the children. The institutionalized nature of their second class status in their education is very comparable to the far greater likelihood for a minority student to have to go to public school that is overcrowded and underfunded compared to their white peers.
ReplyDeleteI believe there are multiple lenses through which to view the relation to the novel and our actual society. In class, we discussed how there is still a stigma against the LGBT community despite the fact that sex is not solely for the purpose of producing offspring. The thought of the cottages as migrant camps is definitely unique, and I would agree with many of your points. In a way, the clones are immigrants, or people who are considered less than. From the beginning they know that they don’t belong in the real world, and that they’ll never be normal. Though the students from Hailsham are supposedly treated better than the other clones, they will still die in the end. They are always the outsider, never a true part of the group. This is definitely very similar to how many immigrants or migrants must feel. Though they are an important part of many societies, some people likely make them feel isolated and excluded. -Maddie Stacey
ReplyDeleteI agree with your post, and find it very interesting how you paralleled racism in our society to the differences between clones and humans in Never Let Me Go. One specific sentence of yours really stuck out to me: "The only differences between clones and humans are those imposed by society or humans, much like racism in the real world." The clones are very clearly communicated to be of a second class, if you will, while the students of Hailsham receive better treatment. Regardless, Ishiguro fails to ever mention the idea of racism in the novel. Despite being the outsiders of society, the clones and humans both have limited time in this dystopian world. This, in my opinion, brings back the main theme that Ishiguro is trying to get across: we all have limited time on this Earth, and it's what we make of it that counts.
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